Thomas Hardys Jude the Obscure Essay -- Jude the Obscure Essays

The disposition and temperament of a character is revealed to a reader by the author throughout any work of literature, but a vast portion of the characterization occurs in specific instances at certain key points in the plot of a novel or play. This excerpt just about Jude and Sue, from Thomas Hardys Jude the Obscure, exposes significant insights into their true intentions and emotions of themselves, others, and life in general. This author engenders a unique persona for each of the inhabitants of these two houses by utilizing a forlorn pure musical note and gruesome diction, alongside symbolism that emulates the current situations in which the two characters find themselves ensnared. In the beginning, the author introduces the characters simultaneously, each with an equally lonely and disheartened mood cover them(lines 2, 3). The individual circumstances are overlooked in order to capture both of their forsaken feelings together, which leads the reader to envision a connection between the two this foreshadows a possible surreptitious relationship, especially when he questions his devotional model(l.3). When he questions himself, he shows the signs of a low confidence level, which could reveal a low egotism and possibly an introverted, quiet personality the semicolon that precedes this passage reveals even more about Jude, because it connects the lonely and disheartened tone around this part of the passage with his opinions about himself, jumper lead to the conclusion that he does not trust his own judgment and has possibly made similar errors in the past(ll.2, 3). Jude watches the house as it disappears behind the night shade, mirroring his decline chances of encountering Sue, which further establishes his hidde... ...ned by an event that does not interrupt the plot but is just as effective at uncovering the actual meaning and connections in the plot itself. In the story about Jude and Sue, Thomas Hardy was able to interconnect the st ory of a rabbit and a couple in much(prenominal) a course that the significance of the scene was not detracted from, and he was still able to convey his point. He used diction that denotes confinement and a tone that captures the separation that Jude and Sue feel in order to reflect his actual thoughts on marriage, and he symbolized a very important interaction by way of a seemingly insignificant act in order to show a hidden but powerful connection. Through all this, Hardy richly exposes the nature and predicament of both Sue and Jude so that the reader is able to understand, and anyone can relate to the universal, core feelings expressed in this excerpt.

Charles Dickens - Oliver Twist :: essays research papers fc

Janice VincentCharacters as Social Aspects in Oliver Twist"The Victorians were avowedly, unashamedly, incorrigibly moralists. They . . . engaged in philanthropic enterprises in part to satisfy their own moral needs. And they were moralists in behalf of the poor, whom they sought not only to assist materially but also to swot morally, spiritually, culturally, and intellectually . . . ." (Himmelfarb 48(8)). Charles Dickens used characterization as the basis of his pursuit of this moral goal in the serialized Oliver Twist. His satyr was meant to draw parallels to the dark side of an term of British progress. One side of progress is wealth, the other(a) side of the same coin is poverty, despair, misery and crime. Dickens allegorized hatred in contrast to good by dint of characterization and melodrama. "Most of the moral judgments of the reader are pre-made for him or her. As a result, the reader objectively absorbs the moral lessons Dickens has set forth" (Stoddard) .Gregory Stoddard writes "in Oliver Twist, there is a clear, defined system of criticism and rhetoric marked by sarcasm, and the language of judgment" (Stoddard). The first words of Chapter 2 are an example. In it, he describes the situation that the innocent, Oliver, finds himself. "Here is a clear example of the sarcasm and careful word woof in which lies the authorial social criticism," writes Stoddard. "Consider the choice of words in this passage, treachery and deception. The connotations of these words imply an inherent evil, and consequently, a moral judgment. More subtly, the choice of victim implies that there is an entity that victimizes, and the word systematic strengthens that impression, lending to it an intentionality, and as a result, an evil nature" (Stoddard). Stoddard continues, ". . . when the victimizing entities are systematic in their methods, a conflict of good versus evil results" (Stoddard).Although the overall message was cl ear, coming on the heels of the of Poor Law of 1834 as the book did, the characters Dickens created for the purpose of making his social commentary ranged from one dimensional to multidimensional caricatures. He used them as a means of presenting the "other" side of wealth-the dark, evil side. To that end, Oliver operates as a catalyst rather than as a hero. His lack of hero status allows us to follow him into the underworld without always being a participant in it, just as he never desired to be a participant in it.

The Impotent Othello Essay -- Othello essays

The Impotent OthelloOthello is one of the some extraordinary characters in all of Shakespeares dramas. He enjoyed unheralded success on the battlefield, which gave him the reputation as one of Venices most able generals. The Moors military proficiency placed him in a class by himself in the same way his ethnicity distinguished him from his Venetian counterparts. These are both intrinsic and highly identifiable characteristics of Othello. But a much lesser discussed idiosyncrasy of the Moor was his sexual disorder - impotency. As striking as this produce sounds there is much evidence in the drama to support the idea that Othello was impotent in both sexual and social relationships. Othellos sexual impotence subdue the consummation of his marriage to Desdemona as the two never experienced sexual intimacy. His sexual disorder then sparked a social impotence powerlessness in dealing with his wife and friends. In terms of shaping the final events of the drama, Othellos impotency play ed an even more vital role than his military might or Moorish heritage.Throughout Othello, there is much evidence to suggest that Othello and his wife Desdemona never consummated their marriage. Shortly after murdering his wife, the Moor remarked, cold, cold my girl?/ thus far in thy Chastity (V.ii.273-4). The final word chastity - brings what actually transpired in their bedroom into serious question. By referring to Desdemona as chaste is it possible that Othello was divulging that he and his wife never had sexual intercourse? Other passages from the play indicate that this is indeed the case. Upon his arrival at the citadel in Cyprus, Othello invited his wife to their sleeping quarters for the entropy time with the following utteranceCom... ... character as his Moorish ancestry. Works Cited Butler-Evans, Elliot. Haply, for I am Black Othello and the Semiotics of Race and Otherness. sensitive Essays by Black Writers. Ed. Mythili Kaul. chapiter D.C. Howard UP, 1997. 139-150. C EINET. Impotence On-line. Online. Internet. Available http //www.cei.net/impotenc/deth.html. Impotent. Oxford English Dictionary, Second Edition. Oxford Oxford University Press, 1989. Koch, Carl. Living a Christian Lifestyle. St. Paul Saint Marys Press, 1996. Sedwick, Eve. Between Men English Literature and Male Homosocial Desire. New York Colombia UP, 1985. United States. Natl. Institute of Diabetes and Digestive and Kidney Diseases. Impotence. Online. Internet. 9 July 1998. Available http//www. niddk.nih.gov/health/urolog/pubs/impotnce/impotnce.htmcause